说实话，这本书的前半部分我并不看好，被冗长繁杂的文字和时间模糊的跨度折磨的丧失信心，我甚至怀疑过这本书的水准。但是反复的劝慰自己，它肯定有它的独到之处，否则也不会有如此高的成就。于是我重新整理思绪，再次进入到角色里面。才发觉，作者之所以长篇累牍的叙述家庭琐事和社会背景，是为了迎合她的内心感受，她想让读者们知道，她所有的爱恨情仇，都是基于她的生活背景。如果认识原来的我，就会原谅现在的我。

最令人感慨的就是男女主人公之间深沉而无望的爱情，在那样的年代，他们的结合是错误的。但是，对于他们自身而言，是无比幸福而快乐的。然而，故事最终仍旧是个悲剧。世界上最遥远的距离莫过于，两个人明明相爱却不能在一起。那是怎样的一种时间和空间的惆怅和折磨呢?

这本书最精彩的地方是后半部分，作者的笔锋愈加凝练，一段段色彩凝重的自然风景把故事渲染的美丽而绝望。而男女主人公无时无刻不在承受离别的撕心裂肺和伤心欲绝。爱，不能光明正大的爱;恨，只能压制的心底。看着揪心，摸着疼，真是无尽沧桑尽在其中啊。

“我已经老了，有一天，在一处公共场所的大厅里，有一个男人向我走来。他主动介绍自己，他对我说：‘我认识你，永远记得你。那时候，你还很年轻，人人都说你妹，现在，我是特为来告诉你，对我来说，我觉得你比年轻的时候更美，那时你是年轻女人，与你那时的面貌相比，我更爱你现在备受摧残的面容。’我常常忆起这个只有我自己还能回想起而从未向别人谈及的形象。它一直在那里，在那昔日的寂静之中，令我赞叹不止。这是所有形象中最使我惬意，也是我最熟悉、最为之心荡神驰的一个形象。”

《情人》的读后感篇2

sons and lovers was d.h. lawrence's first major novel. his only major novel, some would say; but even readers who are out of sympathy with him, or who feel that his gifts were not really those of a novelist, have usually been happy to make a wholehearted exception in this one case.

it is a book that goes straight to the point, at the outset and at almost every subsequent stage. between them his two methods leave us in no doubt where the heart of his story is to be located.

gertrude morel is a woman of high principle, of character and refinement. her husband is a miner who can barely read and write. marrying him for passion, she is bitterly disappointed by his rough manners, his drinking, what she can only see as his weakness and irresponsibility. when the book opens, the marriage has already turned into a battlefield, and the love she has withdrawn from morel is being redirected toward the first of her children. in the previous chapters, gertrude morel is most devoted to her eldest son william. but after he dies of a skin disease, she plunges into grief. seeing william is gone, she rededicates her life to paul, and this revives her. she teaches her son art, education, and social advancement. she lives for her sons and will do anything to see them make their way in the world.

mrs. morel is terribly tired of her involvement in paul and miriam's relationship and decides to stop intervening. she knows that paul is an adult now and that there is nothing she can do to stop paul from seeing miriam. she feels that she can never forgive her son for sacrificing himself to love miriam. as it mentions above, paul has begun to realize how much his mother affects his life. her deep love for him has made her a part of himself that when he wants to break free from his mother, he is unable to get away from her. his mother is ingrained into his very soul.

thatsquo;s to say, his mother influences paul very much, and which proves to be for worse to him. when paul finds girlfriend, he always find the girl who takes after his mother, not only the out look but also in mental. but in fact he could not find such girl. so it lead to that he never willing to be bound to miriam in marriage or to clara in physical love. at last paul has begun to realize how much his mother affects his life. her deep love for him has made her a part of himself that when he wants to break free from his mother, he is unable to get away from her. his mother is ingrained into his very soul.

to sum up, paulsquo;s mother has some bad influence on him and to a large extent changes his life.

《情人》的读后感篇3

今天我阅读了《意外的情人节》这本书，书中讲述了这样一个故事：课间休息的时候，小熊妹妹和它的伙伴们正在跳绳。忽然，小熊妹妹最讨厌的比利走了过来，它跟小熊妹妹一起跳绳，比利不小心被绳子绊倒了，几个人摔做了一团。小熊妹妹正想去追比利，突然，上课铃响了，大家都回到了各自的教室。珍妮老师说：“同学们，情人节就要到了，我们要举办一场情人节派对，大家要互相赠送情人节贺卡。”“太棒了！”全班同学都欢呼了起来。小熊妹妹想：“我该给最讨厌的比利送什么样的贺卡呢？

等回到了家，小熊妹妹想：“我该给比利的贺卡上写什么？是玫瑰花是红色的，紫罗兰是蓝色的。你这样的大傻瓜是没人要的。还是水仙是黄色的，玫瑰是红色的。脑子进了水，我也不会要你的。”“你在想什么？”熊妈妈问。小熊妹妹说：“我只是在想要送什么样的情人节贺卡给比利。”熊妈妈问：“比利是你的朋友吗？”小熊妹妹说：“不是朋友，我跟他有仇。”小熊妹妹开始做贺卡了，它在贺卡上写：怪物可以是奇形怪状的。但要说最吓人的，那就非你莫属了。猜猜我是谁？

然而，当比利打开贺卡时，小熊妹妹却忘了看，因为在它收到的贺卡当中，有一张让它惊他不已，那张贺卡上挂满了爱心和鲜花，上面还写着：你愿意跟我做朋友吗？这时，比利走了过来，它说：“小熊妹妹，这是我攒了几个星期的零花钱给你买的贺卡。”小熊妹妹很惊讶，不知道该说什么，只说了一声“谢谢”。第二天学校开会，它们两个坐在了一起。

读了这个故事我学到了人虽然有坏处，但是也要看别人的好处，就像小熊妹妹和比利一样，比利最后不是变好了吗？

《情人》的读后感篇4

d.h.lawrence and his sons and lovers sons and lovers was regarded as his autobiography, actually, i strongly agree with this view. isquo;d like to compare the novel with lawrence in the following three aspects: family background, the shackle of class and oedipus complex. first is the background. as to d.h.lawrence, he was born in a family which his father was a miner who hardly received any education, instead of his mother with well education and her personal ideal of the politics or philosophy. compared with sons and lovers, the herosquo;s family is similar with lawrencesquo;s-----vulgar father, well-educated mother. the father who works as a miner, nothing like to do but drinking, his words usually can be rude no matter what to his wife or his children;

the mother, a well educated lady, fell in love with mr. morels accidently, but the reality finally defeated her romance, the humble and mediocre life struck her dream of being honorable. all in all, these situations are reflection of lawrencesquo;s life, not only the characteristics of parents but also the surroundings, like working in the mine, living a strapped life and so on. secondly, to a certain degree, isquo;d like to compare lawrence as a combination of both william and paul (the eldest son and younger son in the novel). as william, he was a man who grew in such family and had a strong will to break the shackles of his class. william was gifted, he was successful in both his academy work and interpersonal relationship, and he escaped from his lamentable family to london. the mentality of william just like lawrencesquo;s that a canary in the cage who tried to get away to the broad sky. so in this aspect, i think lawrence purred his feel to this character subconsciously: the disgust of his father, admiration of his mother, struggle to free himself from the mournful family. all these characteristics are based on author himself experience. of course, these stuffs also connected with the society at that time, which class you came from can be the first to affect who you were or how you were, in order to change your social status, the most important was to change the class you belonged to. all these ideology created both lawrence and his william. last but not the least i want to point out is oedipus complex which showing explicitly in the novel, peculiarly on paul, the younger son who faced the difficulty when his love countered to miss miriam, the deeply love towards his mother----mrs. morel, which was clanged his tightly. he can find his true love until one he emancipated himself from his mothersquo;s love. paul would be entangled with dilemma every time when he stayed with miriam;

he could not love her from heart as his will and another hand, he cansquo;t abandon his love to his mother. as a generally thought, mrs. morel was regarded as lawrencesquo;s mother----lydia, miss miriam was recognized as lawrencesquo;s first girlfriend----jessie. in this point, lawrence endowed his oedipus complex on his paul, in the novel, the agonized and miserable love was showed incisively and vividly. from all above, we can see distinctly, the novel----- sons and lovers is an autobiography of lawrence himself, not only on the background of the society, family, but also the personality of the leading character. from the novel, we can have a glimpse of lawrencesquo;s private life;

a talent suffered from his anguished and miserable love, and shackle of class.

《情人》的读后感篇5

?情人》上海译文出版社（20xx年8月1日），译者王道乾。本书讲述了：玛格丽特·杜拉斯是法国当代著名的'小说家、剧作家、记者和电影艺术家。本书是一部带有自传色彩的作品，以法国殖民者在越南的生活为背景，描写了一名贫穷的法国少女与富有的华裔少爷之间深沉而无望的爱情，笔触深达人性中某些最根本、最隐秘的特质，催人深思。小说中自始至终涌动的情感力量甚至超越了高超的写作技巧，具有极强的感染力。

这部小说是一本震动过巴黎的书，一本震动过世界的书。是属于玛格丽特。杜拉斯缠绵悱恻的书。

故事开篇："我已经老了，有一天，在一处公共场所的大厅里，有一个男人向我走来。他主动介绍自己，他对我说，“我认识你，永远记得你。那时候，你还很年轻，人人都说你美，现在，我是特为来告诉你，对我来说，我觉得现在你比年轻的时候更美，那时你是年轻女人，与你那时的面貌相比，我更爱你现在备受摧残的面容。”

在风尘的岁月长河里，杜拉斯回眸自己年轻时的恋情，无限的沧桑尽在其中。往事在七十年在时光隧道里，既清晰又朦胧，那是一场刻骨铭心的爱，一场孤独绝望的爱，一场令人痴迷、令人心醉的爱，那是一个少女的初恋。

这并非杜拉斯所写的《情人》，而是杜拉斯晚年的小情人所写的回忆杜拉斯的。他们的年龄相差很远，但爱却很深很浓。

杨·安德烈亚——杜拉斯生命中最后的也是陪伴她最久的的一个年轻情人。

晚年的杜拉斯酗酒很厉害，到了无法自制的地步。是杨让她远离了酒精的侵袭，恢复写作的能力。据说，杜拉斯去世后，杨也随之悄然失踪，仿佛一根飘逝的苇草，与杜拉斯演绎完一场堪称“经典”的爱情之后，他的生命的热度也随之消失。

《情人》的读后感5篇相关文章：